The 80’s were littered with Hip-Hop influenced movies with films like Wild Style, Breakin’, Beat Street, and so on and so forth. For what it’s worth, I love this genre, which I will dub Hip-Hopsploitation since many of them were taking something new and popular, and capitalizing on it (which is still very common today). Some of these films are actually pretty solid, namely the ones I mention above, but there are the few that are a little less respectable, but still oh-so-fun. These movies are a window into the past, a window that’s view is filled with crazy bad outfits, hair styles, and people that probably shouldn’t be picking up a mic for any reason at all.
One of those people that probably shouldn’t have spit any lyrics, is the man known as Mario Van Peebles, in the 1985 film, Rappin’! But boy am I glad he did. Rappin’ is the tale of “Rappin’” John Hood (MVP), whom after getting out of jail, comes back home to find a lot has changed since he went away. Some of his old associates have formed a new rival gang, his girl is dating the gangs leader, and some corporate scum bags are trying to take over the neighborhood by getting rid of the tenants so they can build…I don’t know, something. Probably a mall, or nice houses…the usual.
I think you might have an idea where this film is going from this point, as Rappin’ is many clichés of the genre all “rapped” into one Hip-Hop extravaganza. I don’t even know where to begin with this film, but there is a lot to say for many different reasons. First of all, the movie is certainly not on par with some of the best the genre has to offer, but damn, is it a lot of fun. Some of the rappin’ is so bad and many of the people behind these verbal assaults are far from skilled at the art of rhyme. The biggest offender is certainly MVP, with his monotone voice and lack of natural flow, but it’s MVP’s lack of skill that makes the movie all the more entertaining.
The Many Faces of Hip-Hop
There are a few familiar faces that show up in Rappin’, besides MVP, of course. There’s Kadeem Hardison, and soul glow himself, Eric La Salle who make up a portion of John Hood’s crew. Also, Hood’s little brother is played by Leo O’Brien, who was in The Last Dragon, a film that gave us our most recent Monster of the Week. Along with familiar faces, the film’s director, Joel Silberg, is treading some very familiar territory with Rappin’. He also directed the before mentioned, Breakin’ as well as the sultry dance movie, Lambada (Totally should have been called, Lambada-in’). So he clearly has a certain thing he does and it would seem he is the guy to call when making a movie that is meant to exploit the latest fad in Urban culture. Though, he did direct Catch the Heat, so that makes his resume all the more versatile.
Some of the dialogue is beyond classic, with one scene where a record producer asks Hood if he’s ever rapped before, in which Hood respond’s with “No, but I got a record!” Get it?! When it comes to classic dialogue, no one is better than John Hoods arch rival, Duane (Charles Flohe). First off, he has great feathered hair and while he looks perfect to play the part of a rich, white, asshole bully, he is so unconvincing as a street thug. As for some of his choicest lines – “Don’t make me thaw you out, Ice!” When referring to La Salle’s character, who’s name is Ice. Then there’s the moment when Duane grabs Hood’s love interest by the arm kind of harshly, and Hood says “Hey, don’t be so rough on her” or something to that effect. Duane quickly responds with “Hey? Hay is for horses!” Good one, Duane, but I think you forgot about the better for cows part.
While this film is not the best of the best, it is very fun and a major reason for that is what I like to call, “random acts of Hip-Hop” that occur throughout Rappin’. The viewer is never safe from a random outbreak of rhymes and song from the characters – it can happen at anytime, any place, and anything can set it off. And you know what, even though many of the skills on display are lacking and the lyrics are weak, they certainly are very enjoyable scenes and for some reason, brought a shit eating grin to my face. I wish I could go over them all, but that would take forever, and I’m already at 763 words, so I need to tie things up soon.
I do have to mention Rappin’s end credit sequence, where each of the film’s characters, spit a lyric or two as their name goes by. This includes an old Asian dude, an old Jewish dude, a white, middle aged mother AND her daughter, and many, many more. It’s fucking gold. Then, there is the scene when the people of the neighborhood are trying to fight to stay in their homes and not be driven out. When all else fails, “Rappin’” John Hood and his Merry Men show up and use the influence of rap to convince the city council to their side, so they can stay in their hood! Again, fucking gold. And don’t even get me started on Snack Attack.
So, if you are a fan of this type of film, or Hip-Hop culture, or bad outfits and hair styles of the past, Rappin’ is a blast. It’s plot is messy and it tries to be too many things, but it does succeed at delivering some truly entertaining scenes and some funny moments. Plus, a 10 year old me makes an appearance.
Thanks for pointing this one out to me, Emily…you rock the party like no one else!
Solo is the perfect weapon, a machine created to do deeds that any normal human cannot accomplish, Solo is a super soldier…with a heart of gold. And to the U.S military, it’s a big no-no to have the ultimate killing machine being able to make decisions that can jeopardize missions, due to a conscience. Deciding to fix the problem, the military think it best if Solo were shut down for some reprogramming. However, Solo ain’t down with that and being programmed to preserve himself, he jacks a helicopter and fly's away to safety. He is chased down by the military, but after Solo crashes into the side of a mountain, they lose sight of him as he escapes into the vast surrounding jungle.
How on Earth 1996’s Solo (directed by Norberto Barba) ever received a theatrical release is beyond me. I’m not saying it’s a bad movie, well, it is a bad movie depending on your taste, but it reeks of direct to video, yet it was released in theaters. It speaks to no one that is not a hardcore fan of mindless action movies, anyone else, would scoff at the sheer lack of original story telling involved and the silliness of it all. Solo is a menagerie of the action film’s and tries to deliver multiple messages as well as tries to be too many things at once.
Solo befriends a young kid and that whole storyline would seem to be tailor made to make this PG-13 movie, an action movie for the whole family. That’s not something that really works for adult action film fans as seen with movies like Robocop 3. Even Terminator 2 brought in the kid aspect, which worked great when I was young, but that film hasn’t aged well for me and I have a much lesser appreciation for it in my adult years. I think a lot of it has to do with how the Rambo films became socially acceptable for children maybe. Though, the Rambo movies never catered to kids and always remained rated R film’s with a copious amount of violence and sweat.
With the young kid that Solo meets, comes an entire village who take Solo in after he is found hurt and low on battery. The villagers are plagued, or better yet, enslaved by a militant group of guys that do bad stuff. What kinda bad stuff do they do? I didn’t catch that part, but they have automatic weapons and speak a foreign language, so they must be bad. The villagers see a chance to be liberated by Solo and he is soon thought to be an ancient savior sent to help them through their dark times. Solo teaches the villagers how to fight for themselves and in return, they let him use their generator to recharge his battery.
Are you won over yet?! Maybe the idea of Solo, the leader of the villagers, wearing a burlap vest without a shirt underneath will sell you?! No?! How about the cute young female villager looking to get a “charge” from Solo? Still no? Maybe the military teaming up with the bad news militant group to take out Solo catches your attention? No? Really?! What if I were to tell you Solo was played by MVP? You know, Mario Van Peebles?! Now I gotcha! MVP is one of those guys that is very hard to put a finger on…he comes from the loins of the well respected, DIY creator of Sweet Sweetback's Baadasssss Song, Melvin Van Peebles and has made his own splash in a positive way with New Jack City.
MVP has also made many a splash, right into the toilet with some of his character choices, as well as some of his actual acting. He can be good, but that would not be the case with Solo. He physically can handle the part and Solo was totally something meant to launch a franchise, as well as make MVP an action star. But even playing a robot, he still comes off as wooden, and playing a robot should be pretty easy, one would think.
Like I said, if you are not someone that can get into a mindless action movie, then stay far away, but if you don’t mind a little sacrificing of your brains, then there is some fun to be had with Solo. William Sadler plays the villainous Colonel Frank Madden, whom is in charge of hunting down, and bringing back Solo. Sadler is, as always, fantastically menacing and he hates Solo for no apparent reason and will do whatever it takes to take him out. Maybe there is an undercurrent of racism with the character, like he doesn’t dig the thought of a “brotha” stealing his shine and being the best of the best? Or it’s just plain old jealousy.
So there’s a great villain, but what’s better than a great villain? Well, Solo is guilty of using a major amount of “Solo Vision!”
Yep, that’s Adrien Brody! Oscar winner and co-star of SOLO!
I love any type of “Vision” in a movie…especially animal or robot vision and Solo, has a ton of it!
What makes Solo worth every second comes in the form of a big time SPOILER ALERT!! Not that spoiling Solo would ruin many film lover’s day, but I shall not spoil anything without warning. At the end of the film, when Solo has prevailed and beaten Sadler’s character Frank Madden and all the bad guys, and just when you think it’s all over…Super Solo shows up! Super Solo is the next level of Solo, the even more advanced, advanced machine/bringer of doom, and he is here to take out, Solo! It doesn’t end right there, oh no siree bob, Super Solo is modeled after another soldier, and that soldier just so happens to be Frank Madden strapped with an oversized, badass gun arm to top it all off!
For a movie that is essentially a thoughtless action flick, there sure is a whole lot going on. I didn’t even get into how Solo tries to connect with humans and their emotions either, but he does, thus showing that even though he is a hunk of metal and wires, he is capable of feelings too. Solo is a movie, where an incomplete killing machine is asked what he wants to look like and after seeing an Air Jordan commercial, he says “Like Mike”…need I say more?
