Death Hunt: Hunting For Catfish

I had surprisingly heard very little about 1981's Death Hunt, and the reason I say surprisingly is because Death Hunt contains a cast that testosterone dreams are made of. The top billed actors are Charles Bronson and Lee Marvin, two actors that are top tier cinema tough guys with enough rugged presence to chap your lips. Loosely based on a true story, Bronson plays Albert Johnson, a lone wolf trapper in the Canadian mountains that runs into a group of dirtballs at the tail end of a vicious dog fight. Johnson quickly makes enemies with the crew of jackals when he forcibly saves the losing dog moments from it's deathbed. This pisses off the dogs owner as well as his easily influential and simple minded pals, so they try to seek vengeance by attacking Johnson at his remote cabin, where things do not go their way when one of them ends up dead.

This is where Lee Marvin's character is introduced, a Royal Canadian Mounted Police Sergeant named Edgar Millen. After the incident at Johnson's place, the leader of the crew and the dogs owner, Hazel (Ed Lauter), lies and says that Johnson attacked them, instead of vice versa. Knowing that Hazel and his crew are probably not being truthful, Millen still has to take Johnson in for questioning. Unfortunately, after a botched attempt at a friendly confrontation, Johnson is forced to protect his freedom, going on a defensive run from the law and taking out whomever makes the mistake of getting in his way.

Outside of Bronson and Marvin, Death Hunt has a vast role of characters that played by some great character actors of the past, many that most should recognize. I already brought up Ed Lauter as the sort of main antagonist, but there are also small roles as backup baddies played by people from Maury Chaykin to William Sanderson. Andrew Stevens also stars as the youthful and straight laced Constable Alvin Adams, who joins up with the very contrasting Millen character and his partner Sundog, who is played by Carl Weathers. Oh, did I forget to mention Carl Weathers is in this film? Yeah, can you smell the Stetson yet? Or should I say, Mandom?

With two fantastic tough guy leads, a cast of great character actors, a snowy mountain setting and you have yourself what is a perfect recipe for brooding action success. Well, maybe not perfect, but luckily, Death Hunt doesn't let down and while there is not a lot of wild action on screen, the action that is produced is exciting and worth a jump kick of joy. Death Hunt is much more of a character driven film and has the heart and soul of a western in almost everyway outside of the year in which it's set.

What really works best is how much depth the characters have and how they interact with one another. There are these little moments of honest interaction that are handled in a very subdued but telling fashion. Small things like Weather's character – while drinking heavily with Millen, Adams and an Eskimo woman of great size – reveals that his birth name is George Washington Lincoln Brown. Millen clearly has ribbed him for this presidential heavy name in the past and how it is shared with the new kid on the block is just a nice and real moment, showing that there is true history between the characters - a dynamic. These are moments that may bore some but for a film fan like myself, I find them to be fascinating.

There are many unsaid elements to Death Hunt, one of them being a strange but unsurprising bound that Millen and Johnson share with one another. They contrast each other heavily in how they live their lives, but the kind of men they are, is what makes them very similar to one another. Millen is leading the posse to find and capture Johnson, and he is the only man around with the capabilities and smarts to do it. Before these events, Millen is a grumpy, bitter and uncaring man on the surface. There are small glimpses of the real him (in front of a girlfriend of sorts, played by Angie Dickinson), but he keeps much of it bottled up (especially in front of other men), until he finds a purpose worthy of his time and skill...chasing a very dangerous wanted man through unsafe conditions.      

Millen also has a strong respect for Johnson and knows he is a man that is very dangerous, but it is his job to stop him, and he is the only man with the ability to do so. There is even a moment when he says the reason he should be the one to stop Johnson is, Johnson deserves to be stopped by him, meaning, not by some shmuck with no clue or sense of respect, much like the guys that started all of this. While Johnson and Millen only meet face to face for no more than a minute, both of these men have a bound that grows out of this understanding of one another. These are two men that believe in honor and respect and while they are in opposite positions, they show consideration for those positions. That is where the film is strongest is the ungraspable bond that these 'real' men share.

Death Hunt was directed by Peter (don't call me Death) Hunt, and the film has a wonderful aesthetic with the frigid setting. I simply love the winter gear worn by the characters, with the big ass furry snow boots and hats made from some sort of dead animal. However, I watched it on instant view and the transfer they had looked a little tight and unflattering to what might otherwise look like a gorgeous film. I would love to see a proper version of the movie, that's for sure. Either way, Death Hunt is well made and thought out character study with a top notch cast and so much testosterone that I had to shave nine times during the film's runtime.

The Girl Next Door

I often throw on some random movie before I go to bed most every night, which is usually pretty late because I stay up either writing, reading other blogs, or watching a movie. Even though I'm only putting something on to fall asleep to, I tend to get all picky about my choice and try to find something I’m in the mood for, even though I plan on going nite-nite. There is no real rationale at this time of night since I am tired and it’s late, so out of frustration, I usually just say, “fuck it, I’ll watch this.” More often than not, I pass out almost too quickly, but once in a great while, I get sucked in.

This is something that is a bit of a double edged sword, on one hand, I am watching a movie that has me drawn in enough to keep me watching, on the other, I am staying up way too late. This was the case when I decided to watch 2007’s, The Girl Next Door. Based off the Jack Ketchum novel of the same name, this is a film that is just tough to shake for some reason and the reason is pretty clear. It’s a difficult film to watch and while there are many films that are hard to watch do to the brutality of what they portray, The Girl Next Door is more so, due to its true to life story basis.

Martyrs would be a recent example of something that is difficult to watch for some and The Girl Next Door doesn’t get quite as brutal on-screen as that film does, but knowing what is happening off-screen and the fact that some of these things did actually happen, is what sets a film like this apart. Set in the late 50’s, the film is told through the eyes of young David (Daniel Manche), who befriends Meg (Blythe Auffarth) the new girl in the neighborhood who recently moved into the house next door to David. Meg and her younger sister Susan (Madeline Taylor), have been sent to live with their aunt Ruth (Blanche Baker) and her three sons after their parents died in an auto accident.   

Many of the neighborhood kids, along with David, are friends with Ruth’s three boys and often hang out at their house, smoking butts, and drinking beer provided by the clearly lax and very outspoken Ruth. Ruth is clearly not all there and seems to be plagued by metal issues, as well as having a strange bitterness that would seem to come from past relationships with men. She often spews out improper advice for the children about men and women, and things of a sexual nature. Being kind of old, past her prime, and very bitter, Ruth is not a big fan of the youthful and pretty new member of her household and out of jealousy, she begins to slowly attack Meg in different ways.

Things start off in a verbal manner, with Ruth calling Meg a slut and belittling her in front of the other teenage boys, as well as her younger sister. The abuse escalates quickly and soon Ruth starts going a little too far with things physically. She gets the very impressionable boys involved with the abuse, which gets worse and worse as each day passes. There is a pack like mentality with the younger boys as they join in and since no one is there to tell them it’s wrong, they begin to show incredibly sickening signs of sadistic instability. Meg is at times tied up by her wrists, hanging from the ceiling in the basement, as Ruth allows the boys to play games that eventually result in Meg being stripped down to nothing.

As degrading as that is, Ruth does not allow the very curious boys to touch Meg in a sexual way…at first, but as each day passes, Ruth lets the boys do more and more to this poor girl. I wont get into too much more about what happens to Meg, but she is physically and sexually abused beyond anything imaginable, and even though much of it is off screen, it's still tough to handle at times. I found myself very frustrated with every next step Ruth and the boys would take things, mostly because I couldn’t believe someone could do this, let alone without any of the kids saying they thought it was wrong. The only boy who was not down for all of this was David, who wanted to help Meg, but was afraid and very confused by the overpowering Ruth.

That was actually a little frustrating too, the fact that Meg’s only friend didn’t really tell anyone, when he had many opportunities to do so. My frustration also partially came from wanting to see the abuse stop, but there comes a point when you realize that it will not stop, until it’s too late. As I mentioned, The Girl Next Door is based on a true story, the story of Sylvia Likens. After watching the film, I looked it up and there are some differences to the character backgrounds with the parents dying, but the core of the abuse is there. Actually, the true story is almost worse than what happens in the film due to the fact that in real life, the parents of Meg and Susan were just scum bags that pawned off their children, as opposed to dying in a car wreck.   

As far as the film itself goes, it is decently made, but feels slightly like a made for TV movie in spots, but it was put out by STARZ!, so that explains that. It doesn’t take away from the films overall effect, however. Most of the acting is decent, with all of the boys being very good, as well as Blythe Auffarth as Meg, who comes off very likable and sweet, making it all the more difficult to witness what happens to her. Blanche Baker starts off a little sketchy at first, but gets better as the film goes along, plus, she has the right look and demeanor when it comes to playing such a sick woman. I was also happy to see the great William Atherton, who plays an adult David and sort of bookends the film as it is his memory that we are watching in the movie. And lastly, I will bring up the 50’s setting, which is one that I always find enjoyable and is something often seen in stories by Stephen King, who incidentally is a big fan of the film, even comparing it to a twisted version of Stand By Me. Twisted indeed. 

While I consider Martyrs a masterpiece of the modern horror genre, I certainly do not think it’s for everyone, I would say the same for The Girl Next Door. However, even with it’s many flaws and difficult situations, I think it is an important film to watch, just due to the fact that it is based off such a harrowing story. It is one that should be told, just out of respect for what happened in real life to a poor innocent girl. This is a film and story that shows what can go on at any time, at any place, and by the hands of anyone one around us, and to be reminded of this fact, is truly frightening and saddening.